A Quiet Place |2018| Directed by John Krasinski

It is so astonishing to watch a simple narrative done right with such finesse and smartness. A Quiet Place is about a family who must live life in silence while hiding from creatures that hunt by sound. With its runtime just about 90 minutes, the movie achieves everything it sets out. Everything is silence around, even when you are sitting in a theater, the slightest sound sets you off.

John Krasinski directing his second feature does an incredible job both behind and in front of the camera with incredible support from Emily Blunt whose pregnancy scene in the movie really had me in panic. When she steps on the nail and just can’t shout out for the reason you are screaming internally for what she might be feeling right then.

I was kind of in doubt on how they are going to handle the baby situation in the story but as the movies moves they show as well as they can. A Quite Place is more about the family and protection rather than the creature. It produces the horror elements through the characters and how they are careful on not making any sound no matter what the circumstance because the opening sequence really sets the movie to the get go.

Cinematographer Charlotte Bruus Christensen does an incredible job capturing the fear and bond of the family. The use of sound is one of the most important part of the movie and the placement of the sound is just perfect.

Rating : 4/5

The Commuter |2018| Directed by Jaume Collet-Serra

In their fourth collaboration together with a story quite similar to Non Stop except Liam Neeson is in train now. The Commuter is a story about Michael MacCauley, a former police officer, who is a family man with a wife and son. He goes through the same routine train commute to work and back every day, only to be fired from his job as a life insurance salesman after ten years.

On the train, Michael meets a mysterious woman named Joanna. Joanna proposes a hypothetical situation to Michael, asking him to do one little thing, the results of which would have consequences that he would know nothing about, but would affect one of the passengers on the train. Joanna’s one little thing that she wants Michael to do is locate “Prynne,” an unknown passenger, and plant a GPS tracker on them. Out of curiosity, Michael searches the bathroom and finds an envelope with $25,000, and realizes that the situation is not hypothetical.

Directed by Jaume Collet-Serra, One thing about The Commuter is that it is entertaining. You will know the punches and twist but who doesn’t like Liam Neeson beating someone mercilessly with a guitar. One thing that bothered me was the use of score which I think was just the temp music thy kept till the end and if you listen closely you can hear the tune from Pirates of the Caribbean more often than not.

There is nothing extraordinary of original here, it is entertaining and fun if you are just looking for something to pass the time while you are drunk with cheetos on your side. The effects of this movie needed another touch for the final outcome.

Rating : 2/5

Quit Staring at My Plate |2017| ‘Ne gledaj mi u pijat’ Directed by Hana Jušić

Quit Staring at My Plate is an coming of age drama of Marijana who lives her family where she has to care for her careless mother and mentally disabled older brother after her father suffers a stroke who is a dominating and controlling man. Marijana becomes the sole breadwinner of the family. She is closed in her world as she has never rebelled against anything. She keeps to herself, even in the lab where she works as a technician she doesn’t really get along with her mates.

Directed by Hana Jusic, the story opens with the director showing us the life of this family. Marijana’s father treats her and her brother like they are still kids in school. He dominates everyone. Her mother is careless with everything, she spends much too much when it is not needed, even after her husband has a stroke she tells Marijana to do everything for him and doesn’t even help her. Her only job remains is for asking money and judge whatever Marijana does with her life. Marijana starts to become like her father when she becomes the sole provider for the family. She finds this new freedom like a breath of fresh air. She takes another job cleaning houses and starts to sleep with random men.

Marijana doesn’t really speak much and we are never really in her head. But you understand what her character does. But the problem for me was the ending, while it seemed hopeful at one point but soon it comes down crashing trying to become something more where it is not. Hana Jusic should have just left it ambiguous and it would have worked wonders as the audience would connected to it more.

Quit Staring at My Plate shows a claustrophobic environment of a family with a new found freedom for its lead, it takes rather a long time to come to its point but it does well until the finale where it washes it all down the drain.

Rating : 3/5

Columbus 2017 Directed by Kogonada

Jin and Casey are two people cut in halves. Casey lives and breathe for architecture and wants to pursue her dream but she binds into her responsibility for her mother who is an recovering addict. Jin is visiting his estranged architect father who is in a coma. Jin is an translator for novels, he has no interest in architecture whatsoever. But when Jin and Casey meet they explore the city and its architecture while learning about each other, while talking about their lives and dreams.

Written and Directed by Kogonada, Columbus breathes into life that explores these two characters who are different from each other yet they find themselves in a position where they need each other to find a balance in their lives which have either halted or been through some rough patch.

The conversations between Jin and Casey are sophisticated with delicacy. Casey shows Jin her favorite buildings and what she loves about them. They explore each other through their ideas of life. Jin talks to Casey how she should pursue her dream, there is a scene where they argue about the opposition of their ideas.

Columbus feels peaceful throughout its runtime, every frame is beautifully resonated on the screen along with the architecture of the modern world. There are moments in the movie where it is just the characters going through their daily lives.

What I love about both of these characters is that how you can find yourselves in them. There is presence of reality through Jin and Casey. Even the conversations between Casey and her friend from work Gabriel are interesting to observe. I loved the scene where Gabriel explains from a book where he read that how a bookish person like him and her can look at a person who can play video games for hours but when it comes to reading that person can loose interest in matter of minutes. So what here is an interesting observation is that it is a matter of interest for each person and what they love to do.

John Cho as Jin and Haley Lu Richardson as Casey give one of the most beautiful and subtle performances. Richardson who plays Casey bring in a reflection of a person’s passion that breathes in and the responsibility that she has webbed herself in. Cho brings in an emotional care for his character trying to find a reason to stay for his father as he says in one scene that why he has to pause his life for him as he has never paused his life for him.

The bond of friendship between Cho and Richardson’s characters is so extraordinary to watch. I loved how the final scene between them plays out, it puts in a beautiful ode to it.

Columbus is definitely one of the most beautiful movie of this year. Kogonada finds a beautiful balance between the architecture and the bond between the two characters. It reflects a reality that provides a sense of responsibility towards your family. It points out to pursue your dream as eventually it what will make you happy in life. There is a simplicity in Kogonada’s storytelling that reminds you of Yasujirō Ozu. Elisha Christian’s cinematography is beyond extraordinary as every frame tells a story of its own. With strong performances from John Cho and Haley Lu Richardson, Columbus is a movie that will remain in your heart forever.

Rating 5/5

The Meyerowitz Stories |2017| Directed by Noah Baumbach

There is a familiarity in Noah Baumbach’s storytelling which has beautifully matured over the years. The dysfunctional relationship between a parent and their child has something been Noah Baumbach’s center in almost all of his movies. The Meyerowitz Stories is another excellent addition to that and might I say it is Noah’s best film to date.

Harold Meyerowitz is someone who has been proud of his work in sculpting, he has been an excellent teacher at Bard University influencing many kids over the years but when it comes to his own children and marriages he has been quite a failure. Harold’s use of his own work in conversation, how his new work might be the best or how his old work was this and that or how he met someone and how they liked his work is something that goes on a loop for him. The reason remains that he has never been successful or made any rich amount of money through his art. But still he has this shadow over his children Danny, Matthew and Jean.

Danny is talented musician but he left being an musician and became an house husband. Danny spent almost all of his childhood with his mother with a year or few with Harold. Danny and Jean as they say were treated like a second class citizen from Harold as a father. Even Harold knows how he has treated Danny and Jean but with Matthew he took some efforts but that efforts with Matthew still made Matthew be away from him as Matthew says he gets angry whenever he is with his father.

For the first two parts of the movie, we see how these relationships are. With Matthew and Danny always correcting someone that they are Step Brothers not Brothers. Danny has a great relationship with his daughter Eliza and Matthew with his son. There is this conversation from them on how they want to be better parents to their children or how they were raised like animals and how today parents are more closer to their children and somewhat are friends with them.

There is also this conversation on why Danny who plays piano so excellently, Matthew who was a very good performer and Jean can do photography didn’t stick with their artistic sides. But the answers come from Harold’s need for being the only artist in the family.

One of the most significant scene in this movie is when Jean tells Danny and Matthew how she was sexually assaulted when she was a teenager by one their fathers friend and as soon as she tells them we see how Danny and Matthew express their anger by smashing that persons car as the person now is very old and has Alzheimer’s, here is Jean sharing a disturbing story from her past, and rather than comfort her, they seek on their own revenge and anger rather than care about their sister’s feelings. Jean just says to them that she can smash all the cars in here but still she has to live with that and nothing can unfuck it.

I loved how the bond between Danny, Michael and Jean starts to grow. They always had things in common between them but there was this belief between themselves that left them apart for years. I love the scene when Matthew asks Jean why does she even come to visit Harold, she first says because she is an decent human being but next she says because she loves spending time with both of them.

It was so great to see Adam Sandler in a great role like this since Punch Drunk Love. He is the strong force throughout this movie. he holds onto his feelings that he really wants to come out with. I even loved how sometimes there was this flicker anger coming out from him reminding back to Punch Drunk Love. His moments with Eliza and later with Matthew are really excellent. I loved his last scene with Harold, it was so epic.

Dustin Hoffman as Harold brings in the self centered world of his character that lives in his own world of assumptions about his art. He knows he has failed as a father but he is proud of Matthew because he made something of himself and is the only one who knows how to make money. There was this stubbornness to his character like when he protests and walks away.

Ben Stiller as Matthew roles back into his family in the assumption he can handle it more calmly now, but circumstance become familiar. But his character shows a maturity which is needed.

Elizabeth Marvel as Jean stands on her childhood that was spent mostly being unnoticed by Harold. She is strong and funny. The scene where she shows Danny the short films she has starred in with Eliza was an amazing moment.

Emma Thompson as Maureen was simply incredible. I mean at times I though she doing back and forth from Hogwarts and here. The first dinner scene where she cooks a Shark, which was raw and the shell fish don’t even open. Then the scene where she just slowly smashes her car into the tree.

Grace Van Patten as Eliza gives a strong supporting role and her short films as described by Danny I think are Hard R.

The Meyerowitz Stories is a excellently written drama with comedy blended in. Noah Baumbach explores more on his dysfunctional family stories with more space and maturity. The conversation and dialogues are perfectly written and with great performances from everyone, The Meyerowitz Stories is no doubt Noah Baumbach best film with Frances Ha and Mistress America. Would have loved a Greta Gerwig cameo but we got Sigourney Weaver so I won’t complain.

Rating : 5/5

Prisoners |2013| Directed by Denis Villeneuve

I still remember watching Prisoners on the big screen, I was holding the seats handle as strong as I can. The claustrophobic atmosphere this movie creates along with the intensity that each passing moment starts to get. Prisoners opens with Keller Dover telling his son what his father quoted him once, To be ready no matter what happens.

One great thing Denis Villeneuve knows is how to get his audience hooked from the first frame. Prisoners is a tale that crosses the thin red line for a father whose daughter goes missing in daylight with her friend. As the investigation starts, Detective Loki arrests Alex Jones who had parked his RV earlier that day near the girls were playing. With no real evidence against Alex and with his IQ being of a 10 year old, Loki has to let go of Alex. But for Keller he dead sets for Alex when he whispers “They didn’t cry until I left them.” to him.

Keller abducts Alex, beating him, asking him about where he has kept the girls. No words come out of Alex. You starts to see how it all effects to Keller who comes down to his desperation, anger and emotions. You can understand what he might be going through, but you stand there in the state of Franklin.

Roger Deakins frames become cold, dark and blue as the story moves. They start to feel the darkness surrounding the mystery, the desperation of the characters, the anger and the cries. Even the unfolding of the mystery runs around in a maze structured to get lost in the darkness.

At times Prisoners reminded me of George Sluizer’s The Vanishing. Jóhann Jóhannsson’s score makes every scene more gripping in a sense that makes you feel the cold and anxiety. The sounds starts to creep between the lines of the story.

Hugh Jackman unleashes one of his best performance as Keller Dover who runs along his faith as he tortures Alex, asking for forgiveness for his sins to god. He is a man who can do anything at this given moment in search for his daughter. He tries to make sense of himself, but all that is lost for him currently. His anger and desperation along with getting tired makes him more in rage closing in on the pain.

Jake Gyllenhaal as Detective Loki blinks through his another exceptional performance that should have been gotten him Oscar for Best Supporting Role. He is surrounded by his task to find the girls, try to keep the calm beneath this rage that flows around him.

Prisoners wraps itself in this procedural drama that pushes into human morality that wages its war against god. It is as intense as it can get. Roger Deakins cinematography is pure poetry with Jóhann Jóhannsson’s score that equally partners with it. With strong performances all around especially from Hugh Jackman and Jake Gyllenhaal. Denis Villeneuve marks his first step into Hollywood.

Rating : 5/5